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Feature Your Music on Selective Listening!

Featuring your music on the internet has never been easier. We have launched a new project to help us write meaningful content about your music that otherwise has to fend for itself in a virtual sea of other music.

We are really excited to announce that we will also be leaving this free WordPress format in due time so we can have our own domain. This will be more fun. 🙂

If you are interested in helping us with out “Featured Artist” project, or know someone who would be you should let us know.

Thanks for reading,
Selective Listening

 
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Posted by on April 18, 2011 in Music

 

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Exteme Feats of Musical Bad-Assery #5 Ravi Shankar Celebrates his 91st!

Rodger Daughtry, singer of legendary rock group The Who, once proclaimed that “I hope I die before I get old”. John Lennon himself said he hoped he wouldn’t still be singing “She Loves You” at age 40 (an age he sadly never made it past, RIP), and many popular musicians throughout the world revel in their youth. When our heroes get old, should they still be alive or remembered, we endlessly compare them to who they once were, which although is pure injustice is the status quo. While many go out revered, they go out with a fizzle, or at the least past their prime.

Ravi Shankar with Geroge Harrison

There is one man, however, who not only has persisted but has torn down the notion of age affecting the sharpness of a musical mind of the nimble ability of aged hands. He is one of my all time heroes: Ravi Shankar. Ravi Shankar is a held in esteem as THE best sitar player the world has seen (the sitar is a 20-ish string Indian lute), and is a composer of legendary status that has not only done the most for Indian classical music than any other single person, but has introduced it to the mainstream west and with his compositions masterfully blended the mathematical western traditions and the more philosophical traditions of the east that many thought were incompatible on any grand orchestral level. He is without a doubt, India’s most prolific and important musical ambassador, and through him many come to appriciate the country’s rich and vibrant culture. Here is a younger Ravi:

While Ravi was well-known throughout Indian circuits before the 60’s, it was during the 60’s, through his friendship with George Harrison, that he took America by storm, playing the Monterey and Woodstock music festivals. Where time has slowed some down, Ravi continued expanding his mastery and finesse, writing new pieces, including an awesome sitar concerto for orchestra published in 2008. April 7th, 2011 marked his 91st birthday, but unlike many 91 year-olds, Ravi is still out touring, sharing his love of his musical tradition and the deep spiritual devotion that comes with Indian music. As some may think, it is not just a freak show, a chance to see some awesome old person sit there and try and imitate themselves that you can brag about seeing. Ravi still has it. Despite his age and the complications that must come with it, Shankar has not lost a step. He still has an amazing ear for his ragas, and when needed he cans till rip up and down the sitar’s neck.

Here is the master in all his ripeness and glory:

Indian music (which will be explained in a later post) varies dramatically from western music in theory, and is all improvised from a set of ragas (until later, just think of them as scales or modes). The fact he at age 91 is still on the road and has a sharp enough mind to still keep producing his magic and have his body keep up with him is a strong testament to his devotion to his religion and music, which requires a vegetarian lifestyle, no drugs or drinking, and no illicit sex. Happy (belated) 91st birthday pandit Ravi Shankar. From the Selective Listening team, you da’ man!

Ravi Shankar, master of sitar

 

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Epic-sounding Collaborations You’ve Probably Never Heard of #5 Dylan and The Dead

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Dylan and the Dead

 

In search of the Holy Grail of Rock: the 5th Beatle

John, Paul, George and Ringo have become saints, as far as popular music is concerned. During their 8 year recording history, they have performed feats comparable to slaying dragons, converting the faithless and heralding in a new era of rock and roll. But just as the true identity, nature, and location of the Holy Grail has consumed the lives of crusaders and scholars alike, The Beatles have their own much disputed holy icon: the 5th Beatle. As I am not one in any place to declare the true member worthy of the title, I will display the candidates and in turn let you decide. Who do you think is the true 5th Beatle?

Left to right: George Harrison, Stu Sutcliffe, and John Lennon in Hamburg, Germany

 

  1. Stu Sutcliffe: Stu was John Lennon’s best friend from art school and a brilliant painter. When John was getting his small skiffle-rock group into shape to be a serious band, he found he needed a bassist. This is where Stu came in. He didn’t play bass or know anything about playing music, but he had just won a fair amount of cash in an art show, and was the only one John knew who could afford a bass. With some major convincing, he was able to get Stu on board, reassuring his friend that he didn’t need to know how to play: bassists just stand in the back anyway. Stu was the bassist when the band started making a name for themselves playing in Hambug, Germany. Towards the end of their stint, it became clear that his playing just wasn’t befitting the band they had become, and he was the first to say it. Paul McCartney, then one of the lead guitar players, took up the bass (which is why if you listen closely, Paul’s bass parts often sound like a frustrated lead guitarist playing bass. This is because it is.)  Stu died from a brain aneurysm in 1962 after leaving the group to return to his painting.

 

Left to right: Paul McCartney, John lennon, Pete Best, and George Harrison

Pete Best:  you’ll recognize a similar vein here… when the band that would become the Beatles started getting serous about rock and roll, they needed a drummer. Not unlike any other young band, they weren’t looking for a drummer as much as a guy who had drums, which were expensive and hard to come by in 1950’s England. They found their man in Pete Best. Pete had a new set of drums, could play them well, and his loving mother owned a small club in Liverpool that they often played at. Pete, like Stu, was on board with the group as they played the club scene in Hamburg, often sharing the stage with a band Rory Storm and the Hurricanes who had a drummer who went by the name of Ringo… As they boys returned to England and began to look into prospects of recording and making it big they ran into a problem: Pete was a great drummer, but didn’t share the same vibrant personalities and humor as the other 3. He was a great drummer, but not a great Beatle. He was much more dark, moody, and introverted. this drove the girls crazy, but at this point, they had been transformed into the clean-cut, charming and humorous nice-boys we know today. Not being able to dump a friend themselves, the Beatles asked their Manager, Brian Epstein, to do the dirty work for them: a decision that really hurt Pete, and that the other Beatles regret.  

Sir George Matin on left, at the mixing board with Sir Paul and Ringo.

Sir George Martin: Sir George Martin was the recording engineer at the small EMI label that agreed to record the Beatles. He knew nothing about rock and roll, and the band knew nothing about recording, so in their mutual discoveries, greatness ensued. George had some very good ideas about how to record things, and either wrote or was very involved in the writing of the orchestral scores that were overdubbed onto many of the Beatles most well-known tracks.

Brian at George Harrison's wedding to model Patty Boyd

Brian Epstein: Brian made the Beatles. He was the owner of a record store in Liverpool who was asked if he had “My Bonnie”, a cut of an American vocalist Tony Sheridan backed by some English band from Germany called the Beatles… he didn’t but was always willing to meet the demands of his clients. He decided to look these “Beatles” up, and found they were playing regular lunch hour shows at a local club. He stopped in, saw a show, and fell in love. He offered the boys his services as a manager, and got them on the train to success. It is of his doing that the Beatles, then with messy hair, bad additudes, and clad in leather, came to have matching “Beatle cuts” and dress in matching suits, putting on the charm they are so famous for. Without Brian, the Beatles would not have been the Beatles we came to know, and very well might not have been heard of at all.

Billy Preston in the studio, 1972. One cool dude.

Billy Preston: Preston was a VERY soulful organ player who got signed to the Beatles record label (Apple) in 1969. Long story short, he was a great guy and the Beatles took to him quick. He sat in on their Let it Be and Abbey Road albums, providing the organ work. He can also be seen and heard during the Beatles last live appearance together: their concert atop the Apple office in 1969, which can be seen on their “Let it Be” movie and subsequently on youtube.

Who do you think is the true 5th Beatle?

 
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Posted by on April 4, 2011 in Brett, Uncategorized

 

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Extreme Feats of Musical Bad-assery #4 the Hula

Hope you brought your appetite, because you and yo' crew are about to get SERVED (some delicious spam)

I’m not much of a clubber. I don’t go clubbing, dance the night away, get slizzerd, nor can I relate to anything Ke$ha has sung about, ever. I’m not condemning it, it’s just not me. Closest I got was a Ratdog concert in the front of a giant grooving mob of hippies pushed against a barrier, but that is neither here or there. I have however, listened to lyrics and have heard popular dance and hip-hop tunes dealing with the lifestyle, and from this I feel I am comfortable with how that club culture presents itself. I have also watched the South Park episode with the “dance off” with a rival dance crew, so I am pretty sure I can safely say that in comparison with a true dance culture, the western club scene is empty of any real power (except the roofies. Powerful, powerful roofies).

This is, of course, when compared to a true dance-culture, a culture that embraces the full power of dance and has elevated up to a pinnacle of social and mystical power. I am talking about the native population of Hawaii. Now, again I reaffirm I do not know the modern attitude towards dance that most 19 year-olds have, but I’m assuming that “hula” is not in the top-5 list of badass power-dances, but it could not be more true. Predating western discovery, occupation, and westernization of Hawaii, the native tribes used dancing as a substitute for outright combat and warfare.

Hula Hoop

pictured: WMD

What today in a club is a dance-off when someone disrespects you and your crew, had a much more amazing predecessor. There was so much mystical power associated with their holy texts, and their vocal and physical expressions, that rival tribes would demonstrate their superior mastery of the magic powers by dancing and chanting better than the other tribe. The tribe danced better had more magical power, and therefore obviously could whoop more butt than the other one could, should it come to fisticuffs. It never did. No one would dare cross the winning tribe, but to dance again.

Having people [sic]“get out the way of me and my crew crew crew crew” so you can do what you [sic] “do do do do” can at best get you beat up in the alley, or branded a king douche. Having glitter all on your eyes and ripped stocking in a place where the freaks all come to dance and “take it off’ sounds like a recipe for rape. No lands are won and lost, no slaves are taken and freed, no precious resources are trading hands, and no governments rise or fall in a club, but in ancient Hawaii when you and your “crew” got mad props and respect from dancing, it meant something much more than our western black eyes, hangovers, and special victim units. It meant you were THE big Kahuna. Now that’s what it really means to have to “represent”.

 

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Bieber Buzz Brings Busy Blog Day

We would like to thank everyone for being a good sport yesterday, unfortunately (for some of us) Justin Bieber and Paul McCartney are not collaborating on an early Beatles cover album. This was a little bit of yellow journalism in the spirit of April Fools Day. We hope you enjoyed this and are not too disappointed by the truth.

We have some interesting goings on here that in the next few weeks we hope will take off:

Good Music

We invite all of our readers to submit their favorite songs via comment or on our Facebook page, and we will put it on our list and keep it their forever. You can check out the list of songs, as well as a more detailed description of what the list is all about here.

We Want to Feature Your Music

That’s right. We are looking for fresh and unique content to keep on our site and we would like it to be about your music. You can help us get some awesome stuff to write about as well as photos, videos, and even your songs while we can give your music another outlet for exposure. We can’t promise that you will blow up into the next big thing, but we can certainly help you show your music to people who haven’t heard it yet.

We would like to perform an interview with you, and your group (if applicable) and write as much awesome stuff about you as possible, as well as periodic blog updates to keep people notified of your upcoming shows/music-related-events etc. The idea is that the more exposure we can get for your music, the more traffic we will also generate for ourselves.

We have some big ideas that we are getting pretty fired up about, and we will not reject anyone who is interested in doing this %100 and is also serious about their music. (Those are the only requirements)

If you are interested in doing this please contact us at our Facebook page and we can start collaborating on this.

Thanks for reading,
Selective Listening

Ps. We will still write about all the stuff we usually do, that’s kind of our thing.

 
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Posted by on April 2, 2011 in Ben, Uncategorized

 

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Bieber set to release early Beatles cover album

The white smoke is rising, and the new Pope of Pop is being heralded! The recent dispute over the rightful heir of all things catchy and romantic will soon be over, which started with the death of the previous King of Pop. The current royal bloodline started in 1963 as the Beatles replaced Elvis as the pop icon of the world with an endless slew of #1 catchy love song after another. The second was crowned in 1983, as “cute Beatle” Paul McCartney mentored rumored “king of Pop” Michael Jackson and collaborated on music numbers, legitimizing his claim. His reign was unquestionable as he subsequently bought-out the Beatles music, essentially hoarding all and every right and claim to royalty for himself. Elvis died in 1977, McCartney, although still prolific, has failed to re-take the world by storm, Jackson has, too, deceased.

The state of chaos that has erupted has left many worried and confused, and the World of Pop Music has been lost amid a sea of auto-tuned one-hit wonders, lackluster comebacks, dime a dozen Disney acts, and very recently a fall into debauchery, with vying pop queens trying to out slut each other.  There seemed no hope, and such was confirmed as the Black Eye Peas effectively gave a eulogy to pop music at the Super Bowl halftime show. But oh ye of little faith! Recent leaks have announced that the wait is over: Justin Beiber is set to record a collection of the early pop songs that put Sir Paul McCartney on the throne. What makes this a legitimate rise to proper power in place of a coup d’état is that Sir Paul will be PERSONALLY seeing to the projects completion as the producer.

When asked about it, McCartney had this to say, “I think the kid is wonderful, and, you know, he’s really got talent and music could use a figure like him to center itself around, much like the aftereffects of Beatlemania, with all the bands going in the right direction. Pop music, you know, hasn’t changed that much since the early days. I mean, John and I wanted to emulate the teen idols of our day, so we sat down and tried to write catchy tunes that would be commercially successful, so I really don’t see the cause of the uproar over stuff like that by people who look up to The Beatles.”

Although the recoding is being kept secret, leaks and rumors have suggested the track listing will include such classics as “Love me Do”, “Please Please Me”, “She Loves You” and one of the more sweeter pop cuts from their debut album, which only seems fitting as it will be the first public statement by the new official Pope of Pop.

 
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Posted by on April 1, 2011 in Uncategorized

 

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